Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 20
... fully and determinately , and hence richly and excit- ingly . It is not full enough or discriminating enough find in the immediately present content an adequately absorbing object . Any one who has ever been absorbed in looking at a ...
... fully and determinately , and hence richly and excit- ingly . It is not full enough or discriminating enough find in the immediately present content an adequately absorbing object . Any one who has ever been absorbed in looking at a ...
Pagina 86
... fully present consummation . The simple geometrical forms that men earlier in his- tory sometimes took to be the most beautiful of all ob- jects , are illustrations both of this gradually lost æsthetic content and of the essential need ...
... fully present consummation . The simple geometrical forms that men earlier in his- tory sometimes took to be the most beautiful of all ob- jects , are illustrations both of this gradually lost æsthetic content and of the essential need ...
Pagina 164
... fully heard but heard through . And we gather and remember their meaning accurately without at all remem- bering the words themselves . In fact , to put our attention so fully on the phrases used as to remember them instead of their ...
... fully heard but heard through . And we gather and remember their meaning accurately without at all remem- bering the words themselves . In fact , to put our attention so fully on the phrases used as to remember them instead of their ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words