Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 94
... function in Mr. Birkhoff's ęsthetic theory . But the Birkhoff analysis of polygons and the ex- amples of basic spatial patterns suggested in the preced- ing chapter sufficiently illustrate the fundamental nature and importance of the ...
... function in Mr. Birkhoff's ęsthetic theory . But the Birkhoff analysis of polygons and the ex- amples of basic spatial patterns suggested in the preced- ing chapter sufficiently illustrate the fundamental nature and importance of the ...
Pagina 145
... function in the pursuit of theory - and notice what language expresses in its more strictly literary function , particularly in poetry , we find that this is feeling or emotion presented as the qualitative character of imaginal content ...
... function in the pursuit of theory - and notice what language expresses in its more strictly literary function , particularly in poetry , we find that this is feeling or emotion presented as the qualitative character of imaginal content ...
Pagina 169
... function of ęsthetic theory itself . The danger is , of course , that , failing to get any direct total effect , we insist on applying our analytical elements and relations and patterns as they might constitute some pre- conceived ...
... function of ęsthetic theory itself . The danger is , of course , that , failing to get any direct total effect , we insist on applying our analytical elements and relations and patterns as they might constitute some pre- conceived ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words