Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 2
... give us a sense of genuine intimacy with what this perspective includes . It will be a map to help make us less strangers in one part of the world that we inhabit , less at a loss in the face of at least one aspect of what we experience ...
... give us a sense of genuine intimacy with what this perspective includes . It will be a map to help make us less strangers in one part of the world that we inhabit , less at a loss in the face of at least one aspect of what we experience ...
Pagina 105
... give it pattern in time , we should simply make it unintelligible . Linguistic conventions de- mand that in polygamy , for example , the second syllable and no other take the heavy accent . Polly - gamigh is no further from being ...
... give it pattern in time , we should simply make it unintelligible . Linguistic conventions de- mand that in polygamy , for example , the second syllable and no other take the heavy accent . Polly - gamigh is no further from being ...
Pagina 182
... give us satisfaction in art , it will be because it unifies something . It is the variety that is held together in ... give content to unity , sensuous richness to make purity not a mere blankness , complexity to give simplicity ...
... give us satisfaction in art , it will be because it unifies something . It is the variety that is held together in ... give content to unity , sensuous richness to make purity not a mere blankness , complexity to give simplicity ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words