AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 105
If in speech we arbitrarily increased loudness at , say , every third syllable of a
sentence , in order to give it pattern in time , we should simply make it
unintelligible . Linguistic conventions demand that in polygamy , for example , the
second ...
If in speech we arbitrarily increased loudness at , say , every third syllable of a
sentence , in order to give it pattern in time , we should simply make it
unintelligible . Linguistic conventions demand that in polygamy , for example , the
second ...
Pagina 130
To give an adequate number of examples of the contention here as to the
structure of verse in English , would be to cite most of English poetry . But
perhaps the conventional description of ballad metre as contrasted with its actual
temporal ...
To give an adequate number of examples of the contention here as to the
structure of verse in English , would be to cite most of English poetry . But
perhaps the conventional description of ballad metre as contrasted with its actual
temporal ...
Pagina 182
If unity is to give us satisfaction in art , it will be because it unifies something . It is
the variety that is held together in it that gives it any concrete content at all , any
actual being . The absolutely unitary is nothing . Nothing actual is unified except ...
If unity is to give us satisfaction in art , it will be because it unifies something . It is
the variety that is held together in it that gives it any concrete content at all , any
actual being . The absolutely unitary is nothing . Nothing actual is unified except ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole