Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina xxiii
... given ( including physiological ) ways of perceiving them in a predetermined manner , Chomsky has in mind our capacity to develop our thinking along certain given lines , with the result that a plausible genera- tive linguistic theory ...
... given ( including physiological ) ways of perceiving them in a predetermined manner , Chomsky has in mind our capacity to develop our thinking along certain given lines , with the result that a plausible genera- tive linguistic theory ...
Pagina 6
... given through sense , but called up in relation to something that we want to do or to have somewhere else or at some ... given surface to some ulterior purpose , practical or theoretical , or whether on the con- trary we dwell directly ...
... given through sense , but called up in relation to something that we want to do or to have somewhere else or at some ... given surface to some ulterior purpose , practical or theoretical , or whether on the con- trary we dwell directly ...
Pagina 124
... given in Pat- more's discussion . any Since Patmore's day there have been some stupidly blind criticisms of him ; but the general scheme as given in English Metrical Law is at least reasonably familiar . What enlightened modern ...
... given in Pat- more's discussion . any Since Patmore's day there have been some stupidly blind criticisms of him ; but the general scheme as given in English Metrical Law is at least reasonably familiar . What enlightened modern ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words