Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 28
... grasp the spiritual essence thus mysteriously made available . But if so , then mere human knowledge , with all the training and develop- ment that it requires - except in the case of those special proclivities and abilities that are ...
... grasp the spiritual essence thus mysteriously made available . But if so , then mere human knowledge , with all the training and develop- ment that it requires - except in the case of those special proclivities and abilities that are ...
Pagina 31
... grasp in this broad qualitative field . Æsthetics will no more teach us how to write poetry than how to build houses . But it may teach us something of what it is that we hear in music or see in buildings or enjoy in our own everyday ...
... grasp in this broad qualitative field . Æsthetics will no more teach us how to write poetry than how to build houses . But it may teach us something of what it is that we hear in music or see in buildings or enjoy in our own everyday ...
Pagina 39
... grasp pitch relations . per- The grasp of them at the minimum appears to be ception , not conceptual understanding . But the difference between perceiving clearly and understanding distinctly is not the great difference that we are ...
... grasp pitch relations . per- The grasp of them at the minimum appears to be ception , not conceptual understanding . But the difference between perceiving clearly and understanding distinctly is not the great difference that we are ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words