Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 45
... grouping of elements or terms in all analysis , and in our case a grouping in serial orders . A relation constituting a serial order has certain prop- erties . If it applies to a group of elements , then every one of these elements is ...
... grouping of elements or terms in all analysis , and in our case a grouping in serial orders . A relation constituting a serial order has certain prop- erties . If it applies to a group of elements , then every one of these elements is ...
Pagina 117
... grouping into lines of so many feet is not a grouping of measures . The counted number of feet as constituted solely of syllables , instead of being made up in part of time unfilled by any sound , is so completely artificial a ...
... grouping into lines of so many feet is not a grouping of measures . The counted number of feet as constituted solely of syllables , instead of being made up in part of time unfilled by any sound , is so completely artificial a ...
Pagina 132
... grouping of the parts of the stanza into two . For if the division depended on the rhyme , there would be no more reason for dividing the stanza into the two so - called fourteeners than for the division into four lines . Without the ...
... grouping of the parts of the stanza into two . For if the division depended on the rhyme , there would be no more reason for dividing the stanza into the two so - called fourteeners than for the division into four lines . Without the ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words