AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 12
Pagina xx
Analyzing a piece of music may aid a listener to hear it better , and as preparation
for better apprehension of presented surface , it is remotely analogous to making
a side trip to the dictionary to look up a word in a poem . Since we leave the ...
Analyzing a piece of music may aid a listener to hear it better , and as preparation
for better apprehension of presented surface , it is remotely analogous to making
a side trip to the dictionary to look up a word in a poem . Since we leave the ...
Pagina 65
So that when a string produces a sound , although a great deal of what we hear
is at the pitch corresponding to the vibration rate of the whole string , a large part
of it also is at the various pitches corresponding to the vibration rates of the ...
So that when a string produces a sound , although a great deal of what we hear
is at the pitch corresponding to the vibration rate of the whole string , a large part
of it also is at the various pitches corresponding to the vibration rates of the ...
Pagina 167
A man who cannot hear distinctly the difference between a major and a minor
triad may learn to do so by repeatedly attending to the difference between a
major and a minor third . And so of color and space and time structures . So
simple a ...
A man who cannot hear distinctly the difference between a major and a minor
triad may learn to do so by repeatedly attending to the difference between a
major and a minor third . And so of color and space and time structures . So
simple a ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole