Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina xx
... hear it better , and as preparation for better apprehension of pre- sented surface , it is remotely analogous to making a side trip to the dictionary to look up a word in a poem . Since we leave the dictionary behind when we extract the ...
... hear it better , and as preparation for better apprehension of pre- sented surface , it is remotely analogous to making a side trip to the dictionary to look up a word in a poem . Since we leave the dictionary behind when we extract the ...
Pagina 19
... hear the pitch pattern at all , that is to say , if we hear the melody . Distinguishing this interval or pitch relation , or pitch dis- tance , along with other relations of the same sort , is hear- ing the melody itself . The objection ...
... hear the pitch pattern at all , that is to say , if we hear the melody . Distinguishing this interval or pitch relation , or pitch dis- tance , along with other relations of the same sort , is hear- ing the melody itself . The objection ...
Pagina 167
... hear distinctly the difference between a major and a minor triad may learn to do so by repeatedly attending to the difference between a major and a minor third . And so of color and space and time structures . So simple a pattern as a ...
... hear distinctly the difference between a major and a minor triad may learn to do so by repeatedly attending to the difference between a major and a minor third . And so of color and space and time structures . So simple a pattern as a ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words