Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 80
... hence of all color design as such , depend absolutely on the intrinsic qualitative relations of color variations , color intervals have not been ( and apparently cannot be ) dis- covered on any such basis as would give us exactly five ...
... hence of all color design as such , depend absolutely on the intrinsic qualitative relations of color variations , color intervals have not been ( and apparently cannot be ) dis- covered on any such basis as would give us exactly five ...
Pagina 105
... hence any pitch element may begin a measure ; but this is not true in a sequence of syllables in the words of intelligible sentences . If in speech we arbi- trarily increased loudness at , say , every third syllable of a sentence , in ...
... hence any pitch element may begin a measure ; but this is not true in a sequence of syllables in the words of intelligible sentences . If in speech we arbi- trarily increased loudness at , say , every third syllable of a sentence , in ...
Pagina 137
... Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a constituent of a structure when any other such elements are selected and ...
... Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a constituent of a structure when any other such elements are selected and ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words