Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 3
Pagina 67
... sound heard as the Tonic itself is at this pitch of the Dominant . And this pitch is at a clearly heard pitch - distance from that of the fundamental . In ordinary strings and in the human voice , this pitch interval , or pitch relation ...
... sound heard as the Tonic itself is at this pitch of the Dominant . And this pitch is at a clearly heard pitch - distance from that of the fundamental . In ordinary strings and in the human voice , this pitch interval , or pitch relation ...
Pagina 75
... sound by means of a vibrating body . The relative prominence of the partials in the human voice is very much the same as in a string- involves this same series of overtones that defines the in- tervals of our scale - and western music ...
... sound by means of a vibrating body . The relative prominence of the partials in the human voice is very much the same as in a string- involves this same series of overtones that defines the in- tervals of our scale - and western music ...
Pagina 111
... speech lie in a ... human voices ; in speech the mere being distinguishably higher or lower is enough . Strict intervals of accurately measured pitch - length simply are not in use , though of course any particular pitch change in the voice ...
... speech lie in a ... human voices ; in speech the mere being distinguishably higher or lower is enough . Strict intervals of accurately measured pitch - length simply are not in use , though of course any particular pitch change in the voice ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words