Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 3
Pagina 118
... iambic pentameter and ballad metre . But we have a difficulty to overcome at the very beginning which is almost impos- sible to dispose of by mere written discussion . We should have actually to recite the verse aloud , that is , if we ...
... iambic pentameter and ballad metre . But we have a difficulty to overcome at the very beginning which is almost impos- sible to dispose of by mere written discussion . We should have actually to recite the verse aloud , that is , if we ...
Pagina 129
... iambic pentameter . If metre is the measure of anything at all , it is the measure of some aspect of rhythm , and the term iambic and the term pentameter describe no aspect whatever of the rhythm of blank verse lines . That rhythm has ...
... iambic pentameter . If metre is the measure of anything at all , it is the measure of some aspect of rhythm , and the term iambic and the term pentameter describe no aspect whatever of the rhythm of blank verse lines . That rhythm has ...
Pagina 209
... Iambic pentameter , 122 Individuality , 187 Intelligible , The , Ch . V , 41 , 78 , 85 ; the familiar as , 88 , 156 , 181 Interest , 6 , 182 Knowledge , 11 , 23 , 30 , 39 , 62 , 111 , 173 , 196 Language , 92 , 144 , 148 ; beyond the ...
... Iambic pentameter , 122 Individuality , 187 Intelligible , The , Ch . V , 41 , 78 , 85 ; the familiar as , 88 , 156 , 181 Interest , 6 , 182 Knowledge , 11 , 23 , 30 , 39 , 62 , 111 , 173 , 196 Language , 92 , 144 , 148 ; beyond the ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words