Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 40
... indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed upon their actual ways of entering into structures as con- stituents . This is assuming two points about ...
... indicated ways , that our scheme of them may represent the dis- cerned order of their actual nature and therefore be directed upon their actual ways of entering into structures as con- stituents . This is assuming two points about ...
Pagina 107
... indicated divisions of time are relative ( a half - note half the time of a whole - note , a quarter - note half of a half - note , and so on ) , a quick measure is often indicated by writing a time signature as so many sixteenth ...
... indicated divisions of time are relative ( a half - note half the time of a whole - note , a quarter - note half of a half - note , and so on ) , a quick measure is often indicated by writing a time signature as so many sixteenth ...
Pagina 108
... indicate clearly anything about the general nature of temporal pat- tern in music , except that there must be fixed ... indicated and some subdivision of it , not merely by the notation but to the ear . But we have already seen that the ...
... indicate clearly anything about the general nature of temporal pat- tern in music , except that there must be fixed ... indicated and some subdivision of it , not merely by the notation but to the ear . But we have already seen that the ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words