Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 161
... individual interest in the world , so that he feels par- ticular aspects of it as more exciting than others , as all of us do . But unless he commands a medium and a technique in such a way as to select elements and combine them into an ...
... individual interest in the world , so that he feels par- ticular aspects of it as more exciting than others , as all of us do . But unless he commands a medium and a technique in such a way as to select elements and combine them into an ...
Pagina 184
... individual feeling , originating in the artist , to be externalized . Unless in the process of externalization , which is the actual constituting of the feeling deter- minately , the artist uses sensuous elements with a con- sciousness ...
... individual feeling , originating in the artist , to be externalized . Unless in the process of externalization , which is the actual constituting of the feeling deter- minately , the artist uses sensuous elements with a con- sciousness ...
Pagina 188
... individual intention . And the form of the whole , if the work of art is genuinely expressive of anything original , that is , of anything individually felt and intended , can never be experienced and so known to critics , until they ...
... individual intention . And the form of the whole , if the work of art is genuinely expressive of anything original , that is , of anything individually felt and intended , can never be experienced and so known to critics , until they ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words