Æsthetic AnalysisCrowell, 1967 - 211 pagine |
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Risultati 1-3 di 36
Pagina 25
... intelligible complexes of these elements in these relations . And it will be best no doubt , if what has been said so far is at all sensible , to be at some pains to be clear as to the basis of our analytical system and the logical form ...
... intelligible complexes of these elements in these relations . And it will be best no doubt , if what has been said so far is at all sensible , to be at some pains to be clear as to the basis of our analytical system and the logical form ...
Pagina 42
... intelligible and feel that we know them in so far as we find them capable of analysis into such elements so related ; and we should not recognize them at once as intelligible , recog- nize them at all , that is , were we not already ...
... intelligible and feel that we know them in so far as we find them capable of analysis into such elements so related ; and we should not recognize them at once as intelligible , recog- nize them at all , that is , were we not already ...
Pagina 105
... intelligible sentences . If in speech we arbi- trarily increased loudness at , say , every third syllable of a sentence , in order to give it pattern in time , we should simply make it unintelligible . Linguistic conventions de- mand ...
... intelligible sentences . If in speech we arbi- trarily increased loudness at , say , every third syllable of a sentence , in order to give it pattern in time , we should simply make it unintelligible . Linguistic conventions de- mand ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words