Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 5
... intensity , or a hue of specific intensity without spatial spread or temporal duration ; but the red of this rose or of this structural steel of a THE FIELD OF ÆSTHETICS 5.
... intensity , or a hue of specific intensity without spatial spread or temporal duration ; but the red of this rose or of this structural steel of a THE FIELD OF ÆSTHETICS 5.
Pagina 47
... intensity , may be said to be paralleled by intensity in smells or tastes ; but only very roughly even for our per- ception . And our control over the production of smells for example , for direct patterned presentation , is so far be ...
... intensity , may be said to be paralleled by intensity in smells or tastes ; but only very roughly even for our per- ception . And our control over the production of smells for example , for direct patterned presentation , is so far be ...
Pagina 200
... intensity has the most various meanings . The intensity of sound is a degree of loudness , the intensity of color its brightness or its saturation , depending on our choice of color terms . And there is no distinguishable aspect that is ...
... intensity has the most various meanings . The intensity of sound is a degree of loudness , the intensity of color its brightness or its saturation , depending on our choice of color terms . And there is no distinguishable aspect that is ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words