Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina xxvi
... interest at- taches to his use of this terminology , since " serial " is an ex- pression now consecrated to the techniques of the music that has been evolving since Schoenberg wrote his first twelve- tone works around 1925. Interest ...
... interest at- taches to his use of this terminology , since " serial " is an ex- pression now consecrated to the techniques of the music that has been evolving since Schoenberg wrote his first twelve- tone works around 1925. Interest ...
Pagina 38
... interests us most in the end , just as our interest in the money in the top bureau drawer may be all that instigates a search of the house . But a good light on the subject may be better than much fumbling in the dark , especially if in ...
... interests us most in the end , just as our interest in the money in the top bureau drawer may be all that instigates a search of the house . But a good light on the subject may be better than much fumbling in the dark , especially if in ...
Pagina 182
... interest , which amounts in one way or another to the demand for novelty . If unity is to give us satisfaction in art , it will be because it unifies something . It is the variety that is held together in it that gives it any concrete ...
... interest , which amounts in one way or another to the demand for novelty . If unity is to give us satisfaction in art , it will be because it unifies something . It is the variety that is held together in it that gives it any concrete ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words