Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 74
... intervals of our scale . If 1 is do , % is re , 54 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above ... intervals , that intervals may be differently related and grouped , that 74 ÆSTHETIC ANALYSIS.
... intervals of our scale . If 1 is do , % is re , 54 mi , and so through the eight degrees . And the 1 % was for a long time , as we noted above ... intervals , that intervals may be differently related and grouped , that 74 ÆSTHETIC ANALYSIS.
Pagina 75
David Wight Prall. that intervals may be differently related and grouped , that smaller or larger intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic interval necessarily ...
David Wight Prall. that intervals may be differently related and grouped , that smaller or larger intervals exclusively would serve the pur- poses of melody and hence of harmony ( any two notes at a given melodic interval necessarily ...
Pagina 111
... intervals nor in relations of intervals to one another in a system . Pitch of course helps to constitute so - called accent both in music and in verse . But high and low pitch in speech lie in a narrower range than in music , the ...
... intervals nor in relations of intervals to one another in a system . Pitch of course helps to constitute so - called accent both in music and in verse . But high and low pitch in speech lie in a narrower range than in music , the ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words