Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 55
... intrinsically ordered and also ordered spatially and temporally . The temporal cannot be present except as it attaches itself to what is qualitatively and spatially ... intrinsic to color . We have spoken of THE BASIS OF ÆSTHETIC ANALYSIS 55.
... intrinsically ordered and also ordered spatially and temporally . The temporal cannot be present except as it attaches itself to what is qualitatively and spatially ... intrinsic to color . We have spoken of THE BASIS OF ÆSTHETIC ANALYSIS 55.
Pagina 56
... intrinsic to sound and color than spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied ...
... intrinsic to sound and color than spatial or temporal order ? And why , if we are to be rigorous , are temporal and spatial order any more intrinsic to spatial and temporal elements than the qualitative orders , since only as qualitied ...
Pagina 184
... intrinsic relations and their structural possibilities , he cannot even be controlling the asthetic structure he makes . For these relations , being intrinsic to the elements , will of necessity appear in his work and make up its actual ...
... intrinsic relations and their structural possibilities , he cannot even be controlling the asthetic structure he makes . For these relations , being intrinsic to the elements , will of necessity appear in his work and make up its actual ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words