Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 24
David Wight Prall. Knowledge must be relatively determinate in order to be knowledge at all . Omniscience is , if one stops to try and fathom its meaning , a hopelessly absurd notion , a logical impossibility . The lack of it is not a ...
David Wight Prall. Knowledge must be relatively determinate in order to be knowledge at all . Omniscience is , if one stops to try and fathom its meaning , a hopelessly absurd notion , a logical impossibility . The lack of it is not a ...
Pagina 62
... Knowledge in general is only very slightly made up of fully articulated imaginal content of this sort . But for all that , knowledge is knowledge at all only as it is conscious or unconscious adaptation by way of such coherent schemes ...
... Knowledge in general is only very slightly made up of fully articulated imaginal content of this sort . But for all that , knowledge is knowledge at all only as it is conscious or unconscious adaptation by way of such coherent schemes ...
Pagina 177
... knowledge of the organic conditions of the response and a complete knowledge of all that there is to respond to , whether in- side the organism or outside it . But so far as æsthetics goes analytically , there is no a priori reason why ...
... knowledge of the organic conditions of the response and a complete knowledge of all that there is to respond to , whether in- side the organism or outside it . But so far as æsthetics goes analytically , there is no a priori reason why ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words