Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina xxii
... language in actual performance . I trust that whatever analogy between music and lan- guage is implied by the above ... languages . To be sure , they have much in common : expression , communication , a disposition towards certain formal ...
... language in actual performance . I trust that whatever analogy between music and lan- guage is implied by the above ... languages . To be sure , they have much in common : expression , communication , a disposition towards certain formal ...
Pagina 43
... language has changed . And it is language itself , terms and relations in a systematic scheme , that constitutes and characterizes every field of knowledge in its THE BASIS OF ESTHETIC ANALYSIS 43.
... language has changed . And it is language itself , terms and relations in a systematic scheme , that constitutes and characterizes every field of knowledge in its THE BASIS OF ESTHETIC ANALYSIS 43.
Pagina 164
... language can- not express directly in any case ; for what language gives us directly is only words , conventional symbols , the mean- ing of which is to be found only in concrete non - verbal content . Art in other words presents ...
... language can- not express directly in any case ; for what language gives us directly is only words , conventional symbols , the mean- ing of which is to be found only in concrete non - verbal content . Art in other words presents ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words