Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 125
... least of great im- portance , viz . , abstract temporal pattern itself , in order to make the nature of at least this one aspect plain . As to the count of three instead of two in the first level of the grouping of beats in English ...
... least of great im- portance , viz . , abstract temporal pattern itself , in order to make the nature of at least this one aspect plain . As to the count of three instead of two in the first level of the grouping of beats in English ...
Pagina 157
... least as the shapes and appearances of these familiar things . And no one who has lived in the civilized world can grasp a house in attention and dwell on what it presents to his eyes , without responding in some of the ways in which we ...
... least as the shapes and appearances of these familiar things . And no one who has lived in the civilized world can grasp a house in attention and dwell on what it presents to his eyes , without responding in some of the ways in which we ...
Pagina 158
... least likely to have been the asthetic content presented to trained vision . They took the picture as a presentation , clearly indicated in ob- vious and recognizable features , of the human nexus of their own religious faith , not as ...
... least likely to have been the asthetic content presented to trained vision . They took the picture as a presentation , clearly indicated in ob- vious and recognizable features , of the human nexus of their own religious faith , not as ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words