Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 36
... length . No color is presented con- cretely without extension . No presented visual surface lacks two spatial dimensions , as no physical object lacks three . But it is not falsification to speak of the length without mentioning the ...
... length . No color is presented con- cretely without extension . No presented visual surface lacks two spatial dimensions , as no physical object lacks three . But it is not falsification to speak of the length without mentioning the ...
Pagina 96
... lengths . Their sort of length is a longer or shorter duration , not a spatial distance . The danger is that language may confuse us on the point . For we use length to refer to space as well as time , just as we may use length to refer ...
... lengths . Their sort of length is a longer or shorter duration , not a spatial distance . The danger is that language may confuse us on the point . For we use length to refer to space as well as time , just as we may use length to refer ...
Pagina 98
... lengths of time involved , their length , that is , in terms of the units of time of our established clocks , it must be their relative lengths , the temporal relations of these lengths to one another . But we can apprehend no particular ...
... lengths of time involved , their length , that is , in terms of the units of time of our established clocks , it must be their relative lengths , the temporal relations of these lengths to one another . But we can apprehend no particular ...
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absolute pitch abstract accent acquaintance actual adequate aesthetic ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words