Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 48
... less alike , more or less contrasting . But just as there is no clear , complete order in them directly apprehended by us , which is intrinsic to their nature as pitch order is to the nature of sounds , so in composition with them we ...
... less alike , more or less contrasting . But just as there is no clear , complete order in them directly apprehended by us , which is intrinsic to their nature as pitch order is to the nature of sounds , so in composition with them we ...
Pagina 112
... less strictly measured and less explicitly felt as specific temporal lengths temporally related , than the rigorously measured temporal patterns of musical composition . But there can hardly be any question as to there being a clearly ...
... less strictly measured and less explicitly felt as specific temporal lengths temporally related , than the rigorously measured temporal patterns of musical composition . But there can hardly be any question as to there being a clearly ...
Pagina 189
... less irrelevant feelings in the presence of these works , and then pass on , on the strength of this , to judgments of their relative value , not only do they express conflicting feeling and judgment , but the conflicts that they ...
... less irrelevant feelings in the presence of these works , and then pass on , on the strength of this , to judgments of their relative value , not only do they express conflicting feeling and judgment , but the conflicts that they ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words