Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina xii
Joanna Howard. • less stress • less wasted time • less cost to themselves • less cost to others • less malaise and dissatisfaction • less frustration. The whole understanding of what it is to manage at work is changing, from an ordered ...
Joanna Howard. • less stress • less wasted time • less cost to themselves • less cost to others • less malaise and dissatisfaction • less frustration. The whole understanding of what it is to manage at work is changing, from an ordered ...
Pagina
... less' is the gold standard in pollution prevention, why is it not our go-to strategy? In other words, why is the most powerful pollution prevention strategy the least popular? To understand this, we first need to realize that there are ...
... less' is the gold standard in pollution prevention, why is it not our go-to strategy? In other words, why is the most powerful pollution prevention strategy the least popular? To understand this, we first need to realize that there are ...
Pagina
... Less , con tono confidenziale : " Ehi , sarebbe un po ' presto . Ma questa è un'occasione memorabile , giusto ? Ho preso delle bottigliette dal minibar e ... " Less estrae dal taschino il rum di Rebecca . " Arthur Less ! Ma guardati ...
... Less , con tono confidenziale : " Ehi , sarebbe un po ' presto . Ma questa è un'occasione memorabile , giusto ? Ho preso delle bottigliette dal minibar e ... " Less estrae dal taschino il rum di Rebecca . " Arthur Less ! Ma guardati ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words