AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 23
Their main virtue is , I think , to indicate that analysis and abstraction are confined
always to fields limited by the very abstractions that constitute their foundations .
We cannot know everything at once from every conceivable point of view .
Their main virtue is , I think , to indicate that analysis and abstraction are confined
always to fields limited by the very abstractions that constitute their foundations .
We cannot know everything at once from every conceivable point of view .
Pagina 32
For most of the objections to analysis in a given field amount to saying that
analysis is limited to its own particular results , as if somehow it ought not to be so
limited . The objection arises largely from not realizing either just what analysis is
or ...
For most of the objections to analysis in a given field amount to saying that
analysis is limited to its own particular results , as if somehow it ought not to be so
limited . The objection arises largely from not realizing either just what analysis is
or ...
Pagina 59
The possibilities for structure are thus infinite ; and the arts have selected out of
these infinite possibilities a relatively limited number of determinate modes or
fundamental patterns on the basis of which works of art have been constructed .
The possibilities for structure are thus infinite ; and the arts have selected out of
these infinite possibilities a relatively limited number of determinate modes or
fundamental patterns on the basis of which works of art have been constructed .
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole