Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 98
... marks off clearly related time - lengths or durations along the one dimension of time . itself and thus defines a unit of time . But in order to mark off a time - length , a duration , both ends of this interval must be indicated . This ...
... marks off clearly related time - lengths or durations along the one dimension of time . itself and thus defines a unit of time . But in order to mark off a time - length , a duration , both ends of this interval must be indicated . This ...
Pagina 99
... mark the beginning and the end of one single interval . The pattern is laid upon the continuum and felt as patterning it all , until some further sign comes to mark a new and different division , or until attention flags or is ...
... mark the beginning and the end of one single interval . The pattern is laid upon the continuum and felt as patterning it all , until some further sign comes to mark a new and different division , or until attention flags or is ...
Pagina 157
... mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we ... marks that lead us to think dilapidation , or the word di- lapidation , as we already know these , and not at all to ap ...
... mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we ... marks that lead us to think dilapidation , or the word di- lapidation , as we already know these , and not at all to ap ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words