AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 99
familiar data of simple direct experience that we are talking about . Experiment is
demanded , though only of that easy sort that we can readily carry out in
imagination . To mark the two ends of an interval of duration , it is necessary to
give two ...
familiar data of simple direct experience that we are talking about . Experiment is
demanded , though only of that easy sort that we can readily carry out in
imagination . To mark the two ends of an interval of duration , it is necessary to
give two ...
Pagina 102
The recurrent indicator or beat marks off the recurrent interval along the single
dimension of time and allows us to grasp time as divided into a number of
intervals of time , time as a built - up structural form out of elements of time related
to one ...
The recurrent indicator or beat marks off the recurrent interval along the single
dimension of time and allows us to grasp time as divided into a number of
intervals of time , time as a built - up structural form out of elements of time related
to one ...
Pagina 157
... and usually much more definitely , than its exact shape and the details of color
that mark , say , its dilapidation . ... we have not apprehended this particular
dilapidation , but only some marks that lead us to think dilapidation , or the word ...
... and usually much more definitely , than its exact shape and the details of color
that mark , say , its dilapidation . ... we have not apprehended this particular
dilapidation , but only some marks that lead us to think dilapidation , or the word ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole