AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 62
To say that such schemes are merely abstract and logical is only to repeat that
they are intelligible , that they are capable of embracing such determinateness as
all actual knowledge must have in its objects to make them into objects for it at all
...
To say that such schemes are merely abstract and logical is only to repeat that
they are intelligible , that they are capable of embracing such determinateness as
all actual knowledge must have in its objects to make them into objects for it at all
...
Pagina 99
But doing this ( by whatever method , say merely pronouncing one — one ) if no
further indication is given , will inevitably be taken by our attention as indicating
not merely the interval between the two sounds , but also a second interval ...
But doing this ( by whatever method , say merely pronouncing one — one ) if no
further indication is given , will inevitably be taken by our attention as indicating
not merely the interval between the two sounds , but also a second interval ...
Pagina 146
And no one has more vehemently insisted on the low estate of the merely
sensuous than have artists and critics in their efforts to uphold the cause of the
arts on the ground of their essential spirituality . One might gather from what they
say that ...
And no one has more vehemently insisted on the low estate of the merely
sensuous than have artists and critics in their efforts to uphold the cause of the
arts on the ground of their essential spirituality . One might gather from what they
say that ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole