Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 4
... nature . And no one identifies art and nature . Art taken very broadly is just what is not nature , but is made or done by men ; though it is natural enough , of course , in the sense in which men , and all that they are and do , are ...
... nature . And no one identifies art and nature . Art taken very broadly is just what is not nature , but is made or done by men ; though it is natural enough , of course , in the sense in which men , and all that they are and do , are ...
Pagina 60
... nature and of all of the arts . But neither nature nor art appears to have developed thus indifferently . It is not preferences , we may suppose , that guide nature . But human preferences them- selves are natural phenomena ; and ...
... nature and of all of the arts . But neither nature nor art appears to have developed thus indifferently . It is not preferences , we may suppose , that guide nature . But human preferences them- selves are natural phenomena ; and ...
Pagina 185
... nature is new and individual , and this nature is exhibited in the form that its content takes on . What are called critical standards are very largely the structural patterns of works of art that have become familiar to critics . It is ...
... nature is new and individual , and this nature is exhibited in the form that its content takes on . What are called critical standards are very largely the structural patterns of works of art that have become familiar to critics . It is ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words