AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 2
Art taken very broadly is just what is not nature , but is made or done by men ;
though it is natural enough , of course , in the sense in which men , and all that
they are and do , are creations of nature and within her realm . But in this sense
of the ...
Art taken very broadly is just what is not nature , but is made or done by men ;
though it is natural enough , of course , in the sense in which men , and all that
they are and do , are creations of nature and within her realm . But in this sense
of the ...
Pagina 60
CHAPTER III NATURAL BASIC STRUCTURES : SCALES AND OTHER
ABSTRACT PATTERNS IT WOULD be highly ... to more and more complex
wholes , and arriving finally at a complete description of the ästhetic aspect of
nature and of all ...
CHAPTER III NATURAL BASIC STRUCTURES : SCALES AND OTHER
ABSTRACT PATTERNS IT WOULD be highly ... to more and more complex
wholes , and arriving finally at a complete description of the ästhetic aspect of
nature and of all ...
Pagina 185
art ; for it is the very nature of such expression to mold instrumentalities to the
fulfillment of a unique intention ; and important artists are marked by the degree
to which such molding of instrumentalities to fresh purposes takes place in their
work ...
art ; for it is the very nature of such expression to mold instrumentalities to the
fulfillment of a unique intention ; and important artists are marked by the degree
to which such molding of instrumentalities to fresh purposes takes place in their
work ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole