Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 69
... notes are related as at given pitch distances in the actual sound of the Tonic . If we now add the fifth , fourth ... notes of the scale . These are the notes related in pitch to the Dominant and Subdominant respectively as the Domi ...
... notes are related as at given pitch distances in the actual sound of the Tonic . If we now add the fifth , fourth ... notes of the scale . These are the notes related in pitch to the Dominant and Subdominant respectively as the Domi ...
Pagina 70
... note to which the rest of the scale notes , re , la , and si , are related through the Dominant and the Subdominant . Another way in which these intervals may be seen as selected by natural conditions is by calculating a priori in terms ...
... note to which the rest of the scale notes , re , la , and si , are related through the Dominant and the Subdominant . Another way in which these intervals may be seen as selected by natural conditions is by calculating a priori in terms ...
Pagina 107
... note half the time of a whole - note , a quarter - note half of a half - note , and so on ) , a quick measure is often indicated by writing a time signature as so many sixteenth - notes , or so many eighth - notes , to the measure ...
... note half the time of a whole - note , a quarter - note half of a half - note , and so on ) , a quick measure is often indicated by writing a time signature as so many sixteenth - notes , or so many eighth - notes , to the measure ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words