Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 20
... object , or remembered or imagined content not unambiguously de- terminate in the object . What is given to full , unwander- ing , vital response , without penetration through and be- yond the qualitative felt presence defined by the object ...
... object , or remembered or imagined content not unambiguously de- terminate in the object . What is given to full , unwander- ing , vital response , without penetration through and be- yond the qualitative felt presence defined by the object ...
Pagina 35
... object of our attention ; these are abstracted from the rest of it . Moreover , there are dis- tinguishable aspects of objects which cannot be concretely presented alone . What we call concrete objects are after all themselves of this ...
... object of our attention ; these are abstracted from the rest of it . Moreover , there are dis- tinguishable aspects of objects which cannot be concretely presented alone . What we call concrete objects are after all themselves of this ...
Pagina 154
... objects , towards objects , of ob- jects . While all that is needed to constitute an æsthetic object is qualitative presence , no æsthetic object of any ab- sorbing interest can be less than complex , while it must also be sufficiently ...
... objects , towards objects , of ob- jects . While all that is needed to constitute an æsthetic object is qualitative presence , no æsthetic object of any ab- sorbing interest can be less than complex , while it must also be sufficiently ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words