AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 10
For it is obvious that both physical and specifically psychological or physiological
processes are conditions of the presence of the ęsthetic . Without differences in
external physical goings - on , vibrations of strings and air waves , or the ...
For it is obvious that both physical and specifically psychological or physiological
processes are conditions of the presence of the ęsthetic . Without differences in
external physical goings - on , vibrations of strings and air waves , or the ...
Pagina 94
This objection is simply that we are working backward into the obvious aspects of
ęsthetic structure and attending to what is of no use or interest , instead of
working forward from the accepted basis in established conventions and media
to ...
This objection is simply that we are working backward into the obvious aspects of
ęsthetic structure and attending to what is of no use or interest , instead of
working forward from the accepted basis in established conventions and media
to ...
Pagina 158
And in the picture itself they recognized the Virgin and her child , the son of the
God of their religion with his mother , and the obviously seraphic expression on
the faces . What they dreamt of as they sat long before this shrine , whatever else
it ...
And in the picture itself they recognized the Virgin and her child , the son of the
God of their religion with his mother , and the obviously seraphic expression on
the faces . What they dreamt of as they sat long before this shrine , whatever else
it ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole