Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 24
... once and seeing and under- standing everything from every possible point of view , so that one's object is literally everything in all of its aspects and all its relations , would apparently involve being com- pletely identical with ...
... once and seeing and under- standing everything from every possible point of view , so that one's object is literally everything in all of its aspects and all its relations , would apparently involve being com- pletely identical with ...
Pagina 42
... once as intelligible , recog- nize them at all , that is , were we not already familiar with these structural possibilities in the relations intrinsic to the elements . We have already illustrated this in pointing out the condition ...
... once as intelligible , recog- nize them at all , that is , were we not already familiar with these structural possibilities in the relations intrinsic to the elements . We have already illustrated this in pointing out the condition ...
Pagina 131
... once to the fourth line ; and the second line of the second stanza : A heart as soft , a heart as kind , A heart as sound and free As in the whole world thou canst find , That heart I'll give to thee . Here the time scheme makes us go ...
... once to the fourth line ; and the second line of the second stanza : A heart as soft , a heart as kind , A heart as sound and free As in the whole world thou canst find , That heart I'll give to thee . Here the time scheme makes us go ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words