AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 17
Thus it is the native order of pitch , every pitch being included once and once only
in this one serial range , that accounts for the most characteristic feature of the
patterns that we call melodies . And any one who fails to distinguish the basic ...
Thus it is the native order of pitch , every pitch being included once and once only
in this one serial range , that accounts for the most characteristic feature of the
patterns that we call melodies . And any one who fails to distinguish the basic ...
Pagina 24
Being everywhere at once and seeing and understanding everything from every
possible point of view , so that one ' s object is literally everything in all of its
aspects and all its relations , would apparently involve being completely identical
with ...
Being everywhere at once and seeing and understanding everything from every
possible point of view , so that one ' s object is literally everything in all of its
aspects and all its relations , would apparently involve being completely identical
with ...
Pagina 34
It is only by mistaking analysis for a complete description of literally everything all
at once , and in all ways at once , that it appears as falsification . The objection
may still be raised that since any analysis omits at least something , as all actual
...
It is only by mistaking analysis for a complete description of literally everything all
at once , and in all ways at once , that it appears as falsification . The objection
may still be raised that since any analysis omits at least something , as all actual
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole