Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 52
... painting has not traditionally been sheer color design to any such de- gree as that in which musical composition has been pitch pattern ; and although temporal spread is as necessary a condition of music as spatial spread is of painting ...
... painting has not traditionally been sheer color design to any such de- gree as that in which musical composition has been pitch pattern ; and although temporal spread is as necessary a condition of music as spatial spread is of painting ...
Pagina 82
... painting than in the classic masters . And even here , since color is spread upon surfaces , the patterns of painting are never bare color design and seldom mainly color design . Even so - called abstractions are at least as fully the ...
... painting than in the classic masters . And even here , since color is spread upon surfaces , the patterns of painting are never bare color design and seldom mainly color design . Even so - called abstractions are at least as fully the ...
Pagina 158
... painting , made of the Sistine Ma- donna , was not very much of what is to be apprehended by full æsthetic attention to that picture . They saw what they easily recognized as a famous painting that they had heard of . And in the picture ...
... painting , made of the Sistine Ma- donna , was not very much of what is to be apprehended by full æsthetic attention to that picture . They saw what they easily recognized as a famous painting that they had heard of . And in the picture ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words