Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 39
... particular case depends upon a readiness to discriminate sensuous details . What we need then is a systematic scheme that will put us in a position to grasp these details in particular cases and as constituting particular æsthetic ...
... particular case depends upon a readiness to discriminate sensuous details . What we need then is a systematic scheme that will put us in a position to grasp these details in particular cases and as constituting particular æsthetic ...
Pagina 57
... particular pitches and of particular durations and in particular successions that we call hear- ing music . And it is only by abstracting from the in- finite , unintelligible , impinging world of nature what our attention can take in as ...
... particular pitches and of particular durations and in particular successions that we call hear- ing music . And it is only by abstracting from the in- finite , unintelligible , impinging world of nature what our attention can take in as ...
Pagina 108
... particular measure must be indicated and some subdivision of it , not merely by the notation but to the ear . But we have already seen that the particular rate of the measures of verse , the particular duration of its funda- mental ...
... particular measure must be indicated and some subdivision of it , not merely by the notation but to the ear . But we have already seen that the particular rate of the measures of verse , the particular duration of its funda- mental ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words