AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 90
For all of us a familiar pattern of the body grows up in our minds and imaginations
; and it is only in relation to this pattern that there could possibly be any definite
meaning in any descriptive term that would express what we see when we look ...
For all of us a familiar pattern of the body grows up in our minds and imaginations
; and it is only in relation to this pattern that there could possibly be any definite
meaning in any descriptive term that would express what we see when we look ...
Pagina 103
phatically characteristic of our concrete experience of that pattern . For of
necessity the grasp of the pattern varies in definiteness and adequacy with the
degree of attention to the precise falling of the point of division on the single line
of ...
phatically characteristic of our concrete experience of that pattern . For of
necessity the grasp of the pattern varies in definiteness and adequacy with the
degree of attention to the precise falling of the point of division on the single line
of ...
Pagina 126
lines of poetry , the fact is taken into account that once a temporal pattern has
been clearly defined to sense , only strikingly displaced accent prevents its being
discerned as continuing in the form established . Typically trochaic verse , so ...
lines of poetry , the fact is taken into account that once a temporal pattern has
been clearly defined to sense , only strikingly displaced accent prevents its being
discerned as continuing in the form established . Typically trochaic verse , so ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole