Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 9
... perception . And to any conscious perception at all some degree of emotion is requisite , if it is no more than the excitement of the attention that brings it to a focus . The concrete object of asthetic perception is just this ...
... perception . And to any conscious perception at all some degree of emotion is requisite , if it is no more than the excitement of the attention that brings it to a focus . The concrete object of asthetic perception is just this ...
Pagina 48
David Wight Prall. perception . As our systematic knowledge of smells and tastes grows , we can discern order in them , and even with- out this they themselves furnish æsthetic content as ele- ments more or less alike , more or less ...
David Wight Prall. perception . As our systematic knowledge of smells and tastes grows , we can discern order in them , and even with- out this they themselves furnish æsthetic content as ele- ments more or less alike , more or less ...
Pagina 91
... perception of the body's contours and proportions . Apprehensibility alone is the useful - not æsthetic - aim of the employment of media of communication , when what is to be communicated lies not within the medium itself as deployed to ...
... perception of the body's contours and proportions . Apprehensibility alone is the useful - not æsthetic - aim of the employment of media of communication , when what is to be communicated lies not within the medium itself as deployed to ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words