Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 11
... physical influences would not only not have differentiated experienced content present to it ; it would simply die . An isolated living organism is at most an incomplete image or an indeterminate conception . For organic life consists ...
... physical influences would not only not have differentiated experienced content present to it ; it would simply die . An isolated living organism is at most an incomplete image or an indeterminate conception . For organic life consists ...
Pagina 33
... physical object or to the concrete quality had in an experience , the nature of that object and of that qualitative presence remain what they were , even though we may , with new light on them , change our names for them . The strongest ...
... physical object or to the concrete quality had in an experience , the nature of that object and of that qualitative presence remain what they were , even though we may , with new light on them , change our names for them . The strongest ...
Pagina 64
... physical facts involved . But now that we know these facts in clear general outline , it becomes easy to see how , in the selection of the scale notes , human ears were guided by the nature of the physical conditions of sound production ...
... physical facts involved . But now that we know these facts in clear general outline , it becomes easy to see how , in the selection of the scale notes , human ears were guided by the nature of the physical conditions of sound production ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words