AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 10
For it is obvious that both physical and specifically psychological or physiological
processes are conditions of the presence of the ęsthetic . Without differences in
external physical goings - on , vibrations of strings and air waves , or the ...
For it is obvious that both physical and specifically psychological or physiological
processes are conditions of the presence of the ęsthetic . Without differences in
external physical goings - on , vibrations of strings and air waves , or the ...
Pagina 11
And an organism isolated totally from external physical influences would not only
not have differentiated experienced content present to it ; it would simply die . An
isolated living organism is at most an incomplete image or an indeterminate ...
And an organism isolated totally from external physical influences would not only
not have differentiated experienced content present to it ; it would simply die . An
isolated living organism is at most an incomplete image or an indeterminate ...
Pagina 64
It is these familiar natural facts about the determinately timed vibration rates of
physical things , and their correlations with higher and lower pitches in the
sounds emitted , that have selected for us out of the continuum of pitch ,
illustrated , say ...
It is these familiar natural facts about the determinately timed vibration rates of
physical things , and their correlations with higher and lower pitches in the
sounds emitted , that have selected for us out of the continuum of pitch ,
illustrated , say ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole