Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 52
... pitch pattern is easily recognizable as an aspect of melodic structure and hence of music . But pictures are not so regularly or so readily apprehended as being color patterns . In fact , in much of what we think of under the term ...
... pitch pattern is easily recognizable as an aspect of melodic structure and hence of music . But pictures are not so regularly or so readily apprehended as being color patterns . In fact , in much of what we think of under the term ...
Pagina 111
... pitch is regu- larly a matter not only of distinct measured intervals but of the relations of intervals to one another in a system cen- tering on a key - note . It is a pattern of pitch which can be discovered as independent of rhythm ...
... pitch is regu- larly a matter not only of distinct measured intervals but of the relations of intervals to one another in a system cen- tering on a key - note . It is a pattern of pitch which can be discovered as independent of rhythm ...
Pagina 127
... pitch pattern that they constitute is a further element worth a little more time than the bare spoken words . But to sing the song very much more slowly than the words would be spoken is the surest way to lose its own proper effect ...
... pitch pattern that they constitute is a further element worth a little more time than the bare spoken words . But to sing the song very much more slowly than the words would be spoken is the surest way to lose its own proper effect ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words