Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 48
... pitch order is to the nature of sounds , so in composition with them we have no adequate control of structural forms or distinctly perceptible intelligible patterns . It is plainly enough the felt pitch relations , depending upon the ...
... pitch order is to the nature of sounds , so in composition with them we have no adequate control of structural forms or distinctly perceptible intelligible patterns . It is plainly enough the felt pitch relations , depending upon the ...
Pagina 71
... pitch corresponding to which is thus the nearest related pitch to the Tonic itself . It is the Dominant , as above , and we may indicate it from now on as D , the Tonic by T , and the octave of the Tonic , or the Tonic an octave above ...
... pitch corresponding to which is thus the nearest related pitch to the Tonic itself . It is the Dominant , as above , and we may indicate it from now on as D , the Tonic by T , and the octave of the Tonic , or the Tonic an octave above ...
Pagina 74
... pitch relations defined to the ear within any single sound which has clearly distinguishable pitch . Notes at these intervals have these determinate pitch relations to one another , and the intervals are thus dictated by the heard ...
... pitch relations defined to the ear within any single sound which has clearly distinguishable pitch . Notes at these intervals have these determinate pitch relations to one another , and the intervals are thus dictated by the heard ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words