Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 21
David Wight Prall. to a point where such response is often appropriate or always possible . That æsthetic response is for most of us on most occa- sions not possible is the great stumbling block . And this obstacle can be removed in one ...
David Wight Prall. to a point where such response is often appropriate or always possible . That æsthetic response is for most of us on most occa- sions not possible is the great stumbling block . And this obstacle can be removed in one ...
Pagina 122
... - two . To pronounce the words in an evenly measured one - two , one - two is perfectly possible . It is clear , however , that the temporal division into one- two , one - two would produce an unnatural and 122 ÆSTHETIC ANALYSIS.
... - two . To pronounce the words in an evenly measured one - two , one - two is perfectly possible . It is clear , however , that the temporal division into one- two , one - two would produce an unnatural and 122 ÆSTHETIC ANALYSIS.
Pagina 136
... possible . And it is consequently only in these same terms that a correspondingly relevant and accurate apprehension is possible of the structural forms actually given as æsthetic surfaces . Since , for ex- ample , in the ordered series ...
... possible . And it is consequently only in these same terms that a correspondingly relevant and accurate apprehension is possible of the structural forms actually given as æsthetic surfaces . Since , for ex- ample , in the ordered series ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words