AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 3
It is simply the external world , including our own bodies , inside and out , that
begins to dawn on us in infancy , that offers to the most mature scientist exciting
data for investigation , and to all men the only possible identification of the
materials ...
It is simply the external world , including our own bodies , inside and out , that
begins to dawn on us in infancy , that offers to the most mature scientist exciting
data for investigation , and to all men the only possible identification of the
materials ...
Pagina 21
to a point where such response is often appropriate or always possible . That
ęsthetic response is for most of us on most occasions not possible is the great
stumbling block . And this obstacle can be removed in one way and one way only
...
to a point where such response is often appropriate or always possible . That
ęsthetic response is for most of us on most occasions not possible is the great
stumbling block . And this obstacle can be removed in one way and one way only
...
Pagina 136
We have noticed too that it is only in terms of the abstractly ordered aspects of
sensory content that determinate controlled composition is possible . And it is
consequently only in these same terms that a correspondingly relevant and
accurate ...
We have noticed too that it is only in terms of the abstractly ordered aspects of
sensory content that determinate controlled composition is possible . And it is
consequently only in these same terms that a correspondingly relevant and
accurate ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole