AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 40
In knowledge , as applied , the conceptual schemes that we are said to know are
in the ideal case no longer consciously present . They have disappeared into
physiological structures and habits of action . The expert , whether in mechanical
...
In knowledge , as applied , the conceptual schemes that we are said to know are
in the ideal case no longer consciously present . They have disappeared into
physiological structures and habits of action . The expert , whether in mechanical
...
Pagina 92
Ęsthetic experience is its own present end and aim ; and we shall see later that
taking it as merely theoretical or technical knowledge is studying it as if its
function were that of language in science , where language presents to us
through a ...
Ęsthetic experience is its own present end and aim ; and we shall see later that
taking it as merely theoretical or technical knowledge is studying it as if its
function were that of language in science , where language presents to us
through a ...
Pagina 151
But in fact love , without a material object present at least in imagination to define
it , is not love at all , but solely bodily disturbance accompanied by so - called
mental or spiritual unrest . This unrest , however , is the vague , incomplete ...
But in fact love , without a material object present at least in imagination to define
it , is not love at all , but solely bodily disturbance accompanied by so - called
mental or spiritual unrest . This unrest , however , is the vague , incomplete ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole