Ęsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 8
... processes . We are self - preserving nodes in the intricate and infinite matrix of natural flux . And only as we can , so to speak , condense process into quality , only as we can sum infinite minute perceptions into large clear ones ...
... processes . We are self - preserving nodes in the intricate and infinite matrix of natural flux . And only as we can , so to speak , condense process into quality , only as we can sum infinite minute perceptions into large clear ones ...
Pagina 11
... process , that is to say an unanesthetized human being , is one of the conditions without which we never find ęsthetic data at all . And an organism isolated totally from external physical ... processes . Esthetics THE FIELD OF ĘSTHETICS II.
... process , that is to say an unanesthetized human being , is one of the conditions without which we never find ęsthetic data at all . And an organism isolated totally from external physical ... processes . Esthetics THE FIELD OF ĘSTHETICS II.
Pagina 151
... process upon which consciously present content supervenes . Then what was vaguely felt , uncoördinated , restless bodily processes , be- comes in consciousness unified feeling of a determinate qualitative sort . That is to say , the ...
... process upon which consciously present content supervenes . Then what was vaguely felt , uncoördinated , restless bodily processes , be- comes in consciousness unified feeling of a determinate qualitative sort . That is to say , the ...
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absolute pitch abstract accent acquaintance actual adequate aesthetic ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words