AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 8
We must realize first that we live along in the infinitely complex processes that
constitute bodily organic life within nature . We enter into all sorts of physical
activities merely as a condition of being alive in the world . We respond to light
and ...
We must realize first that we live along in the infinitely complex processes that
constitute bodily organic life within nature . We enter into all sorts of physical
activities merely as a condition of being alive in the world . We respond to light
and ...
Pagina 11
An organism in nature , interacting within natural process , that is to say an
unanästhetized human being , is one of the conditions without which we never
find ästhetic data at all . And an organism isolated totally from external physical ...
An organism in nature , interacting within natural process , that is to say an
unanästhetized human being , is one of the conditions without which we never
find ästhetic data at all . And an organism isolated totally from external physical ...
Pagina 151
This unrest , however , is the vague , incomplete consciousness of the disordered
bodily processes . And as there is no clearly defined present object felt , so there
is no clearly defined single feeling experienced , but a welter of successive ...
This unrest , however , is the vague , incomplete consciousness of the disordered
bodily processes . And as there is no clearly defined present object felt , so there
is no clearly defined single feeling experienced , but a welter of successive ...
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Parole e frasi comuni
abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspect attention basic basis become body called character characteristic clear clearly color complex concrete constitute course criticism defined definitely determinate direct directly discriminating distinct distinguished Dominant duration effect elements example exhibited experience expression fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hear hence human indicated individual intelligible intensity interest intervals intrinsic knowledge language least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous significant simply single sort sound spatial specific structure suggested surface systematic taken temporal pattern theory things tion Tonic variations verse vibration whole