Æsthetic AnalysisCrowell, 1967 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 67
Pagina 14
... qualitative structures are grasped as intelligible com- plexes , qualitative wholes may also be amenable to scien- tific treatment . There is no reason why we should be confined to the sorts of relations that mechanics has de- pended ...
... qualitative structures are grasped as intelligible com- plexes , qualitative wholes may also be amenable to scien- tific treatment . There is no reason why we should be confined to the sorts of relations that mechanics has de- pended ...
Pagina 79
... qualitative order in elements and a naturally guided selection of these in an abstract system of relations . Such natural patterns of intrinsically ordered qualitative elements are the basis of any art . The scale thus illustrates ...
... qualitative order in elements and a naturally guided selection of these in an abstract system of relations . Such natural patterns of intrinsically ordered qualitative elements are the basis of any art . The scale thus illustrates ...
Pagina 210
... Qualitative Perceptual discrimination , 194 Physics and Psychology , distinguished from æsthetics , 10 Pitch ... Qualitative , The , 5 , 8 , 55 , 138 , 148 ; as basis of the sciences , 173 Qualitative structures , as discriminated are ...
... Qualitative Perceptual discrimination , 194 Physics and Psychology , distinguished from æsthetics , 10 Pitch ... Qualitative , The , 5 , 8 , 55 , 138 , 148 ; as basis of the sciences , 173 Qualitative structures , as discriminated are ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate dimension direct directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expression fact familiar feeling felt formal function fundamental give given grasp hence human iambs indicated intelligible intrinsic knowledge Leverett House means Mediant merely musical scale nature notes obvious octave particular Pathétique Sonata perception physical pitch intervals pitch pattern pitch relations Polyclitus Prall present processes qualitative orders relevant rhythm rhythmical scale scheme sense sensory sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words